In Yield to the Night, Diana Dors plays a woman facing the death sentence for killing her boyfriend’s mistress. It proved a formidable acting flex from a star who’d been underrated as a ‘bombshell’.

Director Sarah Friedland explores the human mind in all its frailness and glory with her exquisite drama about a woman with dementia adjusting to a new life at an assisted living facility.

Broadcast on BBC2 in 1984, Threads dramatised the fallout from a nuclear attack on Sheffield with harrowing realism. We look back on a TV movie that scarred a generation of viewers for life.

Paul Duane, the director of modern Irish folk horror All You Need Is Death, speaks to Robert Wynne-Simmons, whose haunting 1982 film The Outcasts has re-emerged after decades of obscurity.

Happyend unfolds in a dystopian near-future where a title card informs us that systems are crumbling. It’s here, beneath a subtly Blade Runner-ish skyline and amidst intermittent earthquakes, that a ...

As London’s Open House Festival offers a glimpse inside the capital’s most impressive buildings, we take a look at the modern house on film.

A stinging satire on the British film industry, a Netflix thriller that delivers the goods, and a glowing tale of ageing romance. What are you watching this weekend?

Lee’s film adapts the graphic novel by her ex-partner Chester Brown, creating a candid his-and-hers narrative of their open relationship and its break down.

The events lineup includes LFF Spotlight conversations with Working Title Films co-chairs Tim Bevan and Eric Fellner; Head of International Production and Development at Searchlight Pictures, Katie ...

The key directors who shaped the Indian new wave of formally and thematically radical films that kicked off at the end of the 1960s.