Quincy Jones version, recorded for his 1973 album You've Got It Bad Girl, is almost unrecognisable as the same song. Lazily chilled-out, the Hammond organ is played with a featherlight touch, and the drums are gently brushed.

Few artists have legacies so mammoth their very name could be considered synonymous with the music industry, but then again, most musicians are not Quincy Jones.

The music superproducer knew that if you have to find your way to a kind of telepathy with an artist, operating as one mind, you can’t speed past the human element.