Luc Braque Lady Kitty Spencer opened up about her cousin Prince William in her first joint magazine cover with her younger sisters, twins Lady Amelia and Lady Eliza. In a new interview with Tatler ...
Built in 1905, the Edwardian colonial style property is of brick construction under a pantile roof and part-stucco rendered brick elevations. Stepping inside, a timber porch entrance with a panelled ...
This year’s Prototype, a showcase of experimental opera and theater, was stylistically broad but the focus was on the human voice in all its weirdness. By Corinna da Fonseca-Wollheim Even before ...
Reece Clarke, the principal dancer at the Royal Ballet and Opera, played the role of the devilishly handsome Onegin on ...
Travis Gettys is a senior editor for Raw Story based in northern Kentucky. He previously worked as a web editor for WLWT-TV and a contributing writer for the Kentucky Enquirer, and he also wrote ...
Built in 1905, the Edwardian colonial style property is of brick construction under a pantile roof and part-stucco rendered brick elevations. Stepping inside, a timber porch entrance with a ...
“The Barber of Seville,” Rossini’s raucous comic opera, will open Opera Omaha’s 2025-26 season this fall. John Moore as Figaro with the Opera Omaha chorus in “The Barber of Seville” in 201 ...
Photo credits: Nardus Engelbrecht MY FAIR LADY runs at the Artscape Opera House from 12 December 2024 to 12 January 2025. Tickets range from R140.00 to R580.00 and are available via Webtickets.
Speaker Pelosi’s daughter is not holding back in her criticisms of Jill Biden after the outgoing First Lady lamented the former speaker’s instrumental role in pushing President Biden aside last year ...
Lady Amelia and Lady Eliza Spencer delighted fans by sharing a rare family moment with their mother, Victoria Aitken, in celebration of their sister Lady Kitty Spencer's birthday. The photo ...
A daughter of ex-House Speaker Nancy Pelosi ripped into outgoing first lady Jill Biden over the weekend — seemingly comparing her to Shakespeare’s ruthless, power-hungry Lady MacBeth.
By Javier C. Hernández Photographs and Video by OK McCausland When the director Michael Mayer set out to stage Verdi’s “Aida” at the Metropolitan Opera, he knew the stakes were high.